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Appendix I
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Sample Bibliography
BIBLIOGRAPHY
Barzun, Jacques. Classic, Romantic, and Modern. Boston: Little,
Brown, and Company, 1961.
Boime, Albert. The Academy and French Painting in the Nineteenth
Century. New Haven: Yale University Press, 1986.
Boime, Albert. Thomas Couture and the Eclectic Vision. New
Haven: Yale University Press, 1980.
Brettell, Richard R. et. al. A Day in the Country: Impressionism
and the French Landscape. Exhibition catalogue. Los Angeles:
Los Angeles County Museum of Art, 1984.
Canady, John. Mainstreams of Modern Art. New York: Holt,
Rinehart, and Winston, 1959.
Grenville, J.A.S. Europe Reshaped. Ithaca, New York: Yale
University Press, 1976.
Hemmings, F.W.J. Culture and Society in France: 1848-1898:
Dissidents and Philistines. London: B.T. Batsford, 1971.
Janson, H.W. and Rosenblum, Robert. Nineteenth-Century Art. New
York: Harry N. Abrams, 1984.
Nochlin, Linda. Realism. New York: Penguin Books, 1971.
Plessis, Alain. The Rise and Fall of the Second Empire, 1852-
1871. Translated by Jonathan Mandelbaum. Cambridge:
University Press, 1985.
Poole, Phoebe. Impressionism. London: Thames and Hudson, 1967.
Rosen, Charles and Zerner, Henri. Romanticism and Realism. New
York: The Viking Press, 1984.
Schenk, H.G. The Mind of the European Romantics: An Essay in
Cultural History. Preface by Isaiah Berlin. New York:
Doubleday, 1969.
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